What the data shows
What does it mean for a pop star to transition into the world of theatre? In the case of Rebecca Lucy Taylor, known professionally as Self Esteem, the answer is a resounding success. Taylor plays the character Maggie in the revival of David Hare’s play Teeth ‘n’ Smiles, which opened at the Duke of York’s Theatre on March 28, 2026. This production not only showcases Taylor’s acting prowess but also brings to light the enduring relevance of Hare’s work, despite some critics questioning its contemporary significance.
Teeth ‘n’ Smiles is set against the backdrop of a chaotic gig at a university ball in 1969, a time when the music scene was vibrant and tumultuous. The play, which was first staged at the Royal Court in 1975, has been revived under the direction of Daniel Raggett, who aims to breathe new life into this classic. The production features original songs by Nick and Tony Bicât, adding a musical dimension that complements the narrative.
Critics have been mixed in their reviews, with an average rating of 3.2 stars. Sarah Crompton praised Taylor’s performance, stating, “‘Taylor is sensational as Maggie, full of self-loathing and fight in almost equal measure, staggering around the stage but never going down.'” This sentiment reflects the complexity of the character and the depth of Taylor’s portrayal, which resonates with audiences who appreciate her dual career in music and acting.
However, not all reviews have been as favorable. Fiona Mountford questioned the play’s relevance in 2026, asking, “‘Does it have anything of burning import to say to us in 2026? The awkward answer is a resounding ‘No’.'” Similarly, Nick Curtis raised concerns about the choice to revive a piece that he feels may not resonate with modern audiences, asking, “‘Why revive this dated piece about a minor-league rock band combusting at Jesus College Cambridge’s 1969 May Ball?'” These critiques highlight the ongoing debate about the value of reviving older works in contemporary theatre.
Despite the mixed reviews, Taylor’s transition from pop star to actress has been compelling. Adam Bloodworth noted that “‘Self Esteem’s live performances with the band…are compelling,'” suggesting that her stage presence is a significant draw for audiences. This crossover appeal may be a key factor in attracting a diverse audience to the theatre, particularly those who may not typically engage with traditional theatrical productions.
As the production runs until June 6, 2026, it remains to be seen how audiences will continue to respond to Teeth ‘n’ Smiles. The play’s historical context and the vibrant energy of the 1960s music scene provide a rich backdrop for Taylor’s performance, but the question of its relevance in today’s society lingers. With over 100,000 theatremakers relying on platforms like The Stage for news and reviews, the conversation surrounding this revival is likely to evolve as more audiences experience the production.
In conclusion, while the revival of Teeth ‘n’ Smiles may spark debate about the relevance of older works, Rebecca Lucy Taylor’s performance as Maggie is undeniably a highlight. As she navigates the complexities of her character, audiences are treated to a unique blend of music and theatre that showcases her multifaceted talent. The coming weeks will reveal whether this production can capture the hearts of a new generation, or if it will fade into the annals of theatrical history.