Key facts:

• Nato is holding closed-door meetings with film and TV professionals across Europe and the US.
• The meetings have prompted accusations that Nato is seeking to use the arts for propaganda.
• The planned meeting in London will focus on the evolving security situation in Europe and beyond.
• Alan O’Gorman called the planned meeting outrageous and clearly propaganda.
• Defence spending in Ireland has increased to record levels following the Russian invasion of Ukraine.

As these discussions unfold, various stakeholders express differing views. For instance, Alan O’Gorman described the planned meeting as “tone deaf and crazy to present this as some sort of positive opportunity,” highlighting concerns that Nato’s intentions may not align with artistic integrity or public sentiment. Furthermore, an Ipsos poll indicates that 49% of voters in the Republic of Ireland oppose joining Nato, reflecting a significant divide in public opinion regarding military alliances.

Supporters of Nato argue that fostering relations with artists is essential for building public support for increased defence spending. In this context, an official from Nato noted that this initiative is part of a series of sessions aimed at engaging writers from the entertainment industry to facilitate a two-way conversation about security policy.

In 2024, eight screenwriters were invited to Nato’s headquarters to learn about security policy—a move seen by some as an attempt to shape narratives around military actions through creative storytelling. Critics like O’Gorman emphasize that many individuals connected to these discussions have personal ties to countries affected by conflicts involving Nato interventions, which complicates the narrative further.

The upcoming meeting in London is expected to address not only artistic collaboration but also broader security issues that resonate deeply within European contexts. However, it remains unclear how effective these engagements will be in altering public perceptions or influencing policy decisions regarding defence spending in nations like Ireland.

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Penny Mordaunt made a striking impression at the coronation of King Charles on May 6, 2023, in Westminster Abbey, where she carried the Sword of State, a ceremonial weapon that weighs 8 lbs and measures 4 ft in length. This moment not only underscored her prominent role in the ceremony but also marked a significant milestone in British history, as Mordaunt became the first woman to serve as Lord President of the Privy Council.

In a candid reflection on her unexpected fame during the event, Mordaunt remarked, “I was clearly the lightning rod on the day for attention. Very embarrassing.” Her participation in the coronation has since made her a social media sensation, with many praising her poise and strength as she bore the weight of the Sword of State.

Beyond her ceremonial duties, Mordaunt has been vocal about pressing issues facing the UK, particularly concerning defence spending. She has criticized the current government’s plans, stating they are “out of kilter with reality.” Mordaunt suggested that only a significant loss of life among British soldiers would compel the government to reconsider its defence budget, which is projected to rise to 3.5% of GDP by 2035, up from the current 2.3%.

A recent poll indicates that 66% of the British public supports higher defence spending, reflecting growing concerns about national security. Mordaunt’s comments resonate with many who feel that the government must take more decisive action to bolster the armed forces.

Adding a personal touch to her public persona, Mordaunt revealed that she took painkillers before the coronation ceremony, a testament to the physical demands of her role. Her dress, designed by Safiyaa, featured a striking golden fern motif, further enhancing her visibility during the historic event.

The coronation also brought to mind the legacy of Prince Philip, who passed away in April 2021. His health struggles, including a diagnosis of pancreatic cancer in 2013, were well-documented, and his death marked the end of an era for the Royal family. As Mordaunt steps into the limelight, she carries not only the Sword of State but also the weight of public expectations and historical significance.

As observers look ahead, it remains to be seen how Mordaunt will leverage her newfound prominence in British politics. With her outspoken views on defence spending and her historic role in the coronation, she is poised to be a significant figure in the ongoing discussions about the future of the UK’s military and political landscape.

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