The wider picture
Castle Howard, a magnificent stately home located in North Yorkshire, England, stands as a testament to the architectural brilliance of Sir John Vanbrugh, who was instrumental in shaping the English Baroque style. Known for his bold and theatrical designs, Vanbrugh’s work at Castle Howard is often regarded as one of his most poetic creations. As we approach the 300th anniversary of his death, the estate has launched an exhibition titled ‘Staging the Baroque: Vanbrugh at Castle Howard’, which opened on March 26, 2026.
This exhibition not only commemorates the life and legacy of Vanbrugh but also marks the exact date of his passing, which occurred on March 26, 1726. Visitors to Castle Howard can expect to see a rich array of artifacts, including original letters, 18th-century editions of Vanbrugh’s plays, and engravings from Vitruvius Britannicus. A large-scale model of the Castle Howard landscape is also on display, providing a unique perspective on how Vanbrugh’s architectural vision harmonizes with the surrounding natural beauty.
In a statement, Nicholas and Victoria Howard expressed their pride in hosting this exhibition, stating, “It was Vanbrugh’s vision that brought Castle Howard to life, and now the House has the honour of celebrating its creator.” This sentiment reflects the deep connection between the estate and its architect, whose influence is felt throughout the grounds.
Roz Barr, one of the curators of the exhibition, emphasized the importance of appreciating Vanbrugh’s work within its landscape context. “I hope the exhibition will inspire visitors to explore the grounds and appreciate the impact of the house, with its grand elevations and imposing dome, against a backdrop of trees, water, sculpture, and other buildings such as his Temple of the Four Winds and more distant monuments,” she remarked. This holistic approach invites guests to engage with the estate on multiple levels, fostering a deeper understanding of its historical and architectural significance.
As part of the broader programme for Vanbrugh’s tercentenary year, the exhibition will feature talks, performances, and artist responses, including a new installation by renowned artist Es Devlin, set to be unveiled in the Temple of the Four Winds in June 2026. This addition aims to further enrich the visitor experience and highlight the ongoing relevance of Vanbrugh’s work in contemporary art and architecture.
Castle Howard’s recent renovations, particularly the restoration of the Tapestry Drawing Room, which suffered damage from a fire in the 1940s, also play a significant role in the exhibition. These efforts underscore the commitment to preserving Vanbrugh’s legacy and ensuring that future generations can appreciate the grandeur of his designs.
Sir Charles Saumarez Smith, a prominent figure in the art and architecture community, noted the resurgence of interest in Vanbrugh’s work, stating, “Five years ago, I thought no-one was interested in Vanbrugh. Now, people are recognising his originality.” This growing recognition speaks to the timeless nature of Vanbrugh’s contributions and the importance of celebrating his achievements through events like this exhibition.
As the exhibition unfolds, observers anticipate a renewed appreciation for the architectural genius of Sir John Vanbrugh and the enduring beauty of Castle Howard. The legacy of this remarkable architect continues to inspire and captivate, ensuring that his work remains a vital part of England’s cultural heritage.